1 00:01:03,920 --> 00:01:04,920 Wow, 2 00:01:05,239 --> 00:01:08,180 that was, you found some essential truths at that stage. Absolutely. 3 00:01:08,720 --> 00:01:09,720 Clearly, it's about Vietnam. 4 00:01:10,000 --> 00:01:13,860 It's about whatever you want to think about. 5 00:01:14,160 --> 00:01:16,420 Richard, we love to play. 6 00:01:16,780 --> 00:01:17,840 Thank you. 7 00:01:29,200 --> 00:01:30,200 I'm sorry, I don't know your name. 8 00:01:30,780 --> 00:01:31,679 Shelly, my girlfriend. 9 00:01:31,680 --> 00:01:32,359 How are you? 10 00:01:32,360 --> 00:01:33,279 I'm Richard. 11 00:01:33,280 --> 00:01:34,280 I'm Richard, and I'm thirsty. 12 00:01:35,420 --> 00:01:36,800 We'll talk to you later. Bye -bye. 13 00:01:37,840 --> 00:01:39,280 Oh, boy, look at all these people. Hi, gang. 14 00:01:39,760 --> 00:01:40,760 What? 15 00:01:40,940 --> 00:01:44,200 That was a fine, fine play. Absolutely. 16 00:01:45,260 --> 00:01:47,640 I'm a friend. I don't know... Mike Miele, Chicago alternative. 17 00:01:48,540 --> 00:01:49,840 Shelly, I'm going to go talk to this guy. 18 00:02:11,340 --> 00:02:14,460 And he says he thinks this play might be good enough for Broadway. 19 00:02:14,740 --> 00:02:15,740 All right. 20 00:02:17,460 --> 00:02:20,520 Let's keep our fingers crossed. Come on, let's all have some cake. 21 00:02:23,620 --> 00:02:24,620 Penelope. 22 00:02:24,680 --> 00:02:25,940 Great. Okay. 23 00:02:27,560 --> 00:02:30,720 Now look, I think the thing that we ought to do here is not... Everybody get 24 00:02:30,720 --> 00:02:31,900 piece. There you go. Let me trade you that. 25 00:02:32,300 --> 00:02:34,720 We got more coming around. I think we shouldn't cut the math. 26 00:02:34,960 --> 00:02:37,360 You know, we save those for later. No, we'll space it in there. We'll leave 27 00:02:37,360 --> 00:02:38,360 like that and cut them next time. 28 00:03:01,390 --> 00:03:02,390 Who was she? 29 00:03:02,930 --> 00:03:04,970 I never saw her in my life. What did she get you? 30 00:03:06,230 --> 00:03:07,230 Oh, my God. 31 00:03:09,150 --> 00:03:11,430 Is this a party or what? Let's have some tea. 32 00:03:53,840 --> 00:03:54,840 How was the play? 33 00:03:55,520 --> 00:03:56,700 Did you enjoy it? 34 00:03:59,060 --> 00:04:00,060 Are you alright? 35 00:06:55,020 --> 00:06:56,160 What? Where are you going? 36 00:06:56,560 --> 00:06:59,580 I'm going on a trip. A trip? I have no idea. 37 00:07:00,160 --> 00:07:01,160 What about the play? 38 00:07:01,600 --> 00:07:02,600 Well, it isn't done. 39 00:07:03,660 --> 00:07:04,840 Okay, when will it be done? 40 00:07:06,100 --> 00:07:07,100 I don't know. 41 00:07:07,420 --> 00:07:08,420 My God. 42 00:07:09,000 --> 00:07:10,600 Richard, there are people waiting for that play. 43 00:07:14,500 --> 00:07:15,500 They're going with you? 44 00:07:16,000 --> 00:07:17,080 No, I don't think so. 45 00:07:18,080 --> 00:07:19,080 We broke up. 46 00:08:42,640 --> 00:08:45,680 How long will you be with us? Just tonight. I'm fine. If you'll sign in 47 00:08:45,740 --> 00:08:46,679 sir. 48 00:08:46,680 --> 00:08:47,680 Sure. 49 00:08:53,720 --> 00:08:54,980 Arthur, 313, please. 50 00:08:56,400 --> 00:08:58,620 Have a pleasant stay. Okay, thanks a lot. Thank you. 51 00:08:59,520 --> 00:09:01,700 Is this your first time here, Mr. 52 00:09:02,540 --> 00:09:05,680 Collier? Yeah. For some reason, I never got around to coming here. 53 00:09:06,020 --> 00:09:08,740 I almost heard how nice it was, though. Oh, when was that? 54 00:09:09,080 --> 00:09:10,200 Oh, about eight years ago. 55 00:09:10,680 --> 00:09:12,220 I used to be a student up at Millfield College. 56 00:09:12,440 --> 00:09:16,000 Yeah, the students come here now and then to enjoy the restaurant. 57 00:09:16,680 --> 00:09:17,680 And the rooms. 58 00:09:18,480 --> 00:09:24,840 It seems to me I remember they had a graduation prom here back in 47, was it? 59 00:09:25,980 --> 00:09:26,799 Oh, really? 60 00:09:26,800 --> 00:09:27,800 You've been here that long? 61 00:09:27,940 --> 00:09:29,320 I've been here since 1910. 62 00:09:30,600 --> 00:09:34,900 1910? Uh -huh. Came here with my parents when I was five years old. My father 63 00:09:34,900 --> 00:09:35,900 was a desk clerk. 64 00:09:36,000 --> 00:09:39,100 I used to drive him crazy playing ball in the lobby. 65 00:09:39,530 --> 00:09:41,070 He's not so mad at me sometimes. 66 00:09:41,350 --> 00:09:43,890 I'm lucky I live to be six. Three, George. 67 00:09:47,670 --> 00:09:49,090 Got yourself a nice view here. 68 00:09:52,410 --> 00:09:53,410 Oh, 69 00:09:53,570 --> 00:09:54,570 great. 70 00:09:57,390 --> 00:09:58,390 Okay, let's see now. 71 00:09:59,590 --> 00:10:00,349 There you go. 72 00:10:00,350 --> 00:10:03,530 Thank you, Mr. Collier. If there's anything I can do for you, just let me 73 00:10:03,750 --> 00:10:06,550 My name's Arthur, and I live in the bungalow behind the hotel. 74 00:10:06,910 --> 00:10:08,430 Okay, thanks a lot. See you around, Arthur. 75 00:10:12,270 --> 00:10:13,270 Have we ever met before? 76 00:10:15,550 --> 00:10:18,070 Have we ever... No, no, I don't think so. 77 00:10:19,410 --> 00:10:20,930 No. No, I'm sure we haven't. 78 00:10:21,370 --> 00:10:22,670 Have a nice stay here, Mr. Collier. 79 00:10:22,910 --> 00:10:23,930 Okay. Thanks a lot. 80 00:10:48,310 --> 00:10:50,850 Yeah, when do you open? In about 40 minutes, sir. 81 00:10:51,790 --> 00:10:52,790 40 minutes? 82 00:10:53,970 --> 00:10:54,970 Yes, sir. 83 00:13:39,690 --> 00:13:40,690 Yes, Mr. Collier? 84 00:13:41,370 --> 00:13:45,070 Arthur, you know, in the Hall of History, there's a photograph, a young 85 00:13:45,650 --> 00:13:46,650 There's no nameplate. 86 00:13:46,810 --> 00:13:49,390 Yes, that's Elise McKenna. 87 00:13:49,870 --> 00:13:52,090 She was a famous actress in her day. 88 00:13:52,650 --> 00:13:54,570 Starred in a play in the hotel theater. 89 00:13:54,870 --> 00:13:57,430 I'm sorry, did you say there was a theater here? 90 00:13:58,070 --> 00:13:59,270 Down by the lake. 91 00:14:00,030 --> 00:14:01,030 Really? 92 00:14:01,210 --> 00:14:02,450 When was this play done? 93 00:14:04,070 --> 00:14:06,730 Oh, uh, 1912. 94 00:14:10,440 --> 00:14:11,560 1912. 95 00:15:40,650 --> 00:15:43,490 You take my luggage and put it back in my suite. Great. Thanks a lot. And can 96 00:15:43,490 --> 00:15:46,150 you tell me where the nearest library is? In town, right past the church. 97 00:15:46,370 --> 00:15:47,370 Great. Look out. 98 00:15:47,910 --> 00:15:49,150 Thanks. Thanks a lot. 99 00:16:14,760 --> 00:16:17,960 revered actresses on the American stage. For many years, she was the theater's 100 00:16:17,960 --> 00:16:19,060 greatest box office draw. 101 00:16:26,160 --> 00:16:29,920 Under the guidance of her manager, William Fawcett Robinson, Elise McKenna 102 00:16:29,920 --> 00:16:32,500 the first American actress to create a mystique in the public's eye. 103 00:16:35,840 --> 00:16:39,980 Never seen in public in her later years, apparently without an offstage life, 104 00:16:40,040 --> 00:16:41,780 the absolute quintessence of seclusion. 105 00:16:43,880 --> 00:16:47,760 Excuse me. Do you have any theater biographies that aren't in the racks? I 106 00:16:47,760 --> 00:16:48,760 know, rare books or magazines? 107 00:16:49,400 --> 00:16:52,880 Well, we do have some magazines, but they're in the back and I'd have to find 108 00:16:52,880 --> 00:16:54,860 them. Oh, could you do that for me, please? 109 00:16:56,340 --> 00:16:58,140 Well, all right. 110 00:16:58,740 --> 00:17:01,420 Thanks. I'm in the back. Okay. You're great. 111 00:17:05,800 --> 00:17:06,800 Here you are. 112 00:17:07,800 --> 00:17:09,339 Oh, thank you. 113 00:18:23,890 --> 00:18:25,770 Yes? Hello, yes. Miss Roberts? 114 00:18:26,150 --> 00:18:27,150 Yes? Hi. 115 00:18:27,290 --> 00:18:30,690 My name's Richard Collier, and I just read your book on famous American 116 00:18:30,690 --> 00:18:33,150 actresses. I really enjoyed it a lot. What is it you want? 117 00:18:34,590 --> 00:18:35,910 Information about Louise McKenna. 118 00:18:37,790 --> 00:18:38,930 What sort of information? 119 00:18:40,490 --> 00:18:42,810 Well, you see, I'm not a playwright, and I was thinking about doing a play based 120 00:18:42,810 --> 00:18:44,850 on her life, and of course I've got to talk to you. I'm sorry, but I really... 121 00:18:44,850 --> 00:18:45,850 Ma 'am, please. 122 00:18:46,190 --> 00:18:47,190 Please don't. 123 00:18:52,520 --> 00:18:53,840 This is not for a play, Miss Roberts. 124 00:18:55,480 --> 00:18:56,700 This is something very personal. 125 00:18:59,160 --> 00:19:00,240 I don't understand. 126 00:19:07,280 --> 00:19:08,400 Where did you get that? 127 00:19:10,440 --> 00:19:11,720 Well, she gave it to me, ma 'am. 128 00:19:12,400 --> 00:19:15,380 At the opening night of a play that I wrote at Millfield College about eight 129 00:19:15,380 --> 00:19:16,380 years ago. 130 00:19:17,800 --> 00:19:19,540 Oh, it was very precious to her. 131 00:19:20,400 --> 00:19:21,400 She never... 132 00:19:21,610 --> 00:19:23,170 Never left it out of her possession. 133 00:19:25,290 --> 00:19:26,490 Disappeared the night she died. 134 00:19:28,130 --> 00:19:29,210 She died that night? 135 00:19:33,070 --> 00:19:34,290 Won't you come in, please? 136 00:19:36,610 --> 00:19:37,610 Thank you. 137 00:19:39,930 --> 00:19:42,590 I have some things I've been saving for the theater collection. 138 00:19:56,940 --> 00:19:58,760 costume from one of the plays she was in. 139 00:20:00,980 --> 00:20:03,700 Miss Roberts, what was she like? 140 00:20:05,980 --> 00:20:12,540 When I knew her, she was kind and thoughtful, but she was just too much 141 00:20:12,540 --> 00:20:15,960 herself. She seemed empty somehow. 142 00:20:16,480 --> 00:20:18,540 She wasn't always that way, was she? 143 00:20:18,920 --> 00:20:19,980 Oh, no, not at all. 144 00:20:20,700 --> 00:20:24,580 People who knew her when she was young said that she was quick and bright and 145 00:20:24,580 --> 00:20:25,580 full of fun. 146 00:20:25,800 --> 00:20:29,230 Strong. Well, not at all the way she was later. 147 00:20:30,230 --> 00:20:31,230 What made her change? 148 00:20:31,510 --> 00:20:34,650 I don't know, but change seems to have taken place. 149 00:20:34,910 --> 00:20:38,950 About 1912, after she performed in a play at the Grand Hotel. 150 00:20:44,670 --> 00:20:46,890 That was her manager, William Robinson. 151 00:20:48,970 --> 00:20:52,030 Was he really as strange as you seem to indicate in the book? 152 00:20:52,890 --> 00:20:55,370 There was something strange about their relationship. 153 00:21:03,920 --> 00:21:05,380 Of course. This is incredible. 154 00:21:05,720 --> 00:21:09,160 This guy, Vinnie, he was my philosophy teacher at Millfield. 155 00:21:09,500 --> 00:21:10,500 Really? Yeah. 156 00:21:12,540 --> 00:21:14,440 She read that book over and over. 157 00:21:23,780 --> 00:21:25,020 She had that made. 158 00:21:52,840 --> 00:21:53,840 What is it? 159 00:21:55,380 --> 00:21:57,200 That's my favorite music in the whole world. 160 00:22:00,320 --> 00:22:01,660 I don't understand what's happening. 161 00:22:08,340 --> 00:22:09,340 Dr. Finney. 162 00:22:09,640 --> 00:22:12,060 You'll have to walk with me, young man. I have another class. 163 00:22:12,320 --> 00:22:13,059 What's your name? 164 00:22:13,060 --> 00:22:14,100 Collier, sir. Richard Collier. 165 00:22:14,340 --> 00:22:16,260 Student? Yes, I was nine years ago. 166 00:22:17,060 --> 00:22:21,130 Well, I tried to make my... Class is interesting, but nine years. 167 00:22:21,390 --> 00:22:22,430 What can I do for you? 168 00:22:22,650 --> 00:22:25,490 I have a question for you, sir. Shoot, is time travel possible? 169 00:22:27,450 --> 00:22:28,550 That is a question. 170 00:22:30,790 --> 00:22:34,130 Let me tell you something, Richard, is it? Yes, sir. 171 00:22:36,170 --> 00:22:40,930 I was in Venice in 1971, 172 00:22:41,370 --> 00:22:45,270 staying in a very old hotel. 173 00:22:46,370 --> 00:22:48,190 But I mean very old. 174 00:22:49,000 --> 00:22:51,740 The structure, the furnishings, everything. 175 00:22:53,220 --> 00:22:57,940 The atmosphere was aged, if you follow me. 176 00:22:58,220 --> 00:23:05,080 In my room, I felt as though it was a century or more earlier than 177 00:23:05,080 --> 00:23:06,080 1971. 178 00:23:06,360 --> 00:23:07,360 You understand? 179 00:23:07,400 --> 00:23:07,959 Yes, sir. 180 00:23:07,960 --> 00:23:10,600 So, in other words, then, the location is very important. 181 00:23:11,320 --> 00:23:13,920 Not all important, but essential. 182 00:23:14,440 --> 00:23:15,780 The rest is here. 183 00:23:23,880 --> 00:23:26,200 I was lying down in that room. 184 00:23:27,260 --> 00:23:31,700 All the sights around me, a part of the past. 185 00:23:32,280 --> 00:23:34,260 Even the sounds I heard. 186 00:23:34,480 --> 00:23:41,160 And I conceived a notion. What, I asked myself, if I attempt to 187 00:23:41,160 --> 00:23:47,320 hypnotize my mind, suggest to it that it isn't 188 00:23:47,320 --> 00:23:50,720 1971, but 1571. 189 00:23:51,000 --> 00:23:53,560 I closed my eyes and... 190 00:23:53,790 --> 00:23:59,550 fed a suggestion into my brain it's august 191 00:23:59,550 --> 00:24:06,190 1571 i am in the hotel del vecchio and i spelled 192 00:24:06,190 --> 00:24:12,770 out the details for myself and did it over and over and again 193 00:24:12,770 --> 00:24:14,270 and again and again 194 00:24:24,330 --> 00:24:25,330 never done it since. 195 00:24:26,070 --> 00:24:29,870 And I'm not sure I'd want to do it again. 196 00:24:30,570 --> 00:24:32,750 I felt exhausted afterwards. 197 00:24:33,550 --> 00:24:35,010 Completely washed out. 198 00:24:35,390 --> 00:24:41,170 And if it really did happen, I was only there a fraction of an instant, 199 00:24:41,250 --> 00:24:43,130 remember, of flicking. 200 00:24:43,370 --> 00:24:45,590 Yes, sir, I understand that. But you were there. 201 00:24:54,260 --> 00:24:59,860 Otherwise, there were objects around me that were clearly from the present, and 202 00:24:59,860 --> 00:25:01,040 I knew they were there. 203 00:25:01,400 --> 00:25:08,400 Oh, if I were going to try it again, mind you, I have no such intention, but 204 00:25:08,400 --> 00:25:15,100 if I did, I would disassociate myself entirely from the present, move 205 00:25:15,100 --> 00:25:18,720 everything out of sight that could possibly remind me of it. 206 00:25:47,140 --> 00:25:50,360 Listen, do you have any 1912 money? Very specifically 1912. 207 00:26:28,940 --> 00:26:30,780 Evening, Mr. McKenna. You don't know me, but you will. 208 00:26:37,120 --> 00:26:38,120 Evening, Mr. McKenna. 209 00:26:39,980 --> 00:26:43,460 You don't know me, but you will. 210 00:27:06,160 --> 00:27:07,800 It is June 27th, 1912. 211 00:27:09,540 --> 00:27:10,540 Oh, boy. 212 00:27:12,400 --> 00:27:17,920 You are lying on your bed in the Grand Hotel and it is 6 p .m. in the evening 213 00:27:17,920 --> 00:27:19,540 June 27th, 1912. 214 00:27:20,100 --> 00:27:22,480 Your mind accepts this absolutely. 215 00:27:23,260 --> 00:27:27,820 It is 6 p .m. on June 27th, 1912. 216 00:27:29,780 --> 00:27:32,700 Elise McKenna is in this hotel at this very moment. 217 00:27:33,220 --> 00:27:34,360 Her manager... 218 00:27:34,670 --> 00:27:38,950 William Fawcett Robinson is in this hotel at this very moment. 219 00:27:39,370 --> 00:27:45,630 Now, this moment, here, Elise McKenna and 220 00:27:45,630 --> 00:27:51,470 you. Both in the Grand Hotel on this early evening of June 27, 221 00:27:51,850 --> 00:27:58,030 1912. 6 p .m. on June 27, 1912. 222 00:27:58,730 --> 00:28:00,970 Elise McKenna and you. 223 00:28:01,210 --> 00:28:02,210 Goodbye. 224 00:28:10,670 --> 00:28:15,850 even as you lie here on your bed in the Grand Hotel on June 27th, 1912, 6 p .m. 225 00:28:16,890 --> 00:28:19,010 June 27th, 1912. 226 00:28:20,370 --> 00:28:23,390 The stage is being set for their performance tomorrow night. 227 00:28:23,830 --> 00:28:27,590 Your mind accepts this. 228 00:28:28,410 --> 00:28:29,410 Absolutely. 229 00:28:29,630 --> 00:28:32,990 It is 6 p .m. on June 27th, 1912. 230 00:28:34,110 --> 00:28:35,890 You have traveled back in time. 231 00:28:36,270 --> 00:28:38,470 Soon, you will open your eyes. 232 00:28:39,240 --> 00:28:40,740 And you will walk into the corridor. 233 00:28:41,060 --> 00:28:43,680 And you will go downstairs and find Elise McKenna. 234 00:28:44,020 --> 00:28:46,780 She is in the hotel at this very moment. 235 00:28:47,160 --> 00:28:48,660 Damn it! 236 00:28:58,320 --> 00:29:04,080 It's no question in your mind. It is 6 p .m. on June 27, 1912. 237 00:29:04,380 --> 00:29:08,440 Your mind accepts this absolutely. It is June 27, 1912. 238 00:30:21,170 --> 00:30:24,610 What a place, huh? 239 00:30:25,510 --> 00:30:26,710 You like those? 240 00:30:27,870 --> 00:30:28,870 They're yours. 241 00:30:30,830 --> 00:30:31,830 You suppose it is? 242 00:30:32,750 --> 00:30:33,810 Oh yeah, it must be. 243 00:30:34,290 --> 00:30:35,470 Look at the rest of the place. 244 00:30:36,570 --> 00:30:38,790 Look at here. You ready to go picture? 245 00:31:12,620 --> 00:31:14,540 wake yet, but you're the only one who can help me. 246 00:31:15,720 --> 00:31:17,540 Listen, you know those things in the hall that fit you to the play case? 247 00:31:18,120 --> 00:31:19,120 Where do they come from? 248 00:31:19,760 --> 00:31:21,000 Is this our storeroom or something? 249 00:31:21,580 --> 00:31:22,960 Arthur, please, where do those things come from? 250 00:31:23,580 --> 00:31:26,720 The attic, Mr. Guy. 251 00:33:17,200 --> 00:33:18,200 27th. 252 00:36:42,480 --> 00:36:43,480 I made it 253 00:38:10,570 --> 00:38:12,070 I don't know why you act in such a manner. 254 00:38:12,510 --> 00:38:14,450 Indeed, I suspect you do not. 255 00:38:14,690 --> 00:38:16,950 And what am I to make of that remark? 256 00:38:17,250 --> 00:38:18,630 What you will, Frollo. 257 00:38:18,970 --> 00:38:20,150 What you will. 258 00:38:22,010 --> 00:38:25,830 Are we to have this maddening exchange each and every time I notice the 259 00:38:25,830 --> 00:38:28,630 existence of a female other than yourself? Notice her existence? 260 00:38:28,970 --> 00:38:34,210 That carefully describes your rapt appraisal of her every inch. Rapt 261 00:38:34,210 --> 00:38:36,270 of her... You just don't love me anymore. Oh, Maud. 262 00:38:36,700 --> 00:38:40,280 Christ. I want to lie down for a while. It's a good idea. Great idea. I warn 263 00:38:40,280 --> 00:38:44,000 you, I've had enough of this constant bickering. That's what you always say to 264 00:38:44,000 --> 00:38:46,180 everything. I will not discuss it. That's your answer to everything. 265 00:38:46,860 --> 00:38:51,040 Unless you come to your senses, I shall leave without you. 266 00:38:59,020 --> 00:39:00,020 Excuse me. 267 00:39:00,260 --> 00:39:01,980 Did you see someone just trying to get in here? 268 00:39:02,600 --> 00:39:04,840 Yes. Some young chap. Run that way. 269 00:39:05,320 --> 00:39:06,320 I'll be damned. 270 00:39:06,759 --> 00:39:07,759 I'd better report that. 271 00:39:08,040 --> 00:39:09,040 Indeed, you'd better, sir. 272 00:39:09,420 --> 00:39:11,360 I'd have reported it myself if I'd known that there was... 273 00:39:11,360 --> 00:39:18,760 Good 274 00:39:18,760 --> 00:39:20,100 afternoon, Mr. McKenna. 275 00:39:20,380 --> 00:39:21,380 You don't know me. 276 00:39:22,080 --> 00:39:23,540 Good afternoon, Mr. McKenna. 277 00:39:25,100 --> 00:39:31,280 Good afternoon, Mr. McKenna. I've just come 68 years. May I please speak to 278 00:39:39,549 --> 00:39:40,549 Yes. Yes, monsieur? 279 00:39:41,010 --> 00:39:43,510 Um, is Miss McKenna here? 280 00:39:44,670 --> 00:39:49,170 No, I'm afraid she's not. Could you tell me where she is? I'm sorry, I have no 281 00:39:49,170 --> 00:39:50,170 idea, monsieur. 282 00:39:52,330 --> 00:39:53,330 Strike one. 283 00:39:59,350 --> 00:40:00,890 Oh, I beg your pardon. 284 00:40:10,240 --> 00:40:11,240 Getting out. 285 00:40:48,440 --> 00:40:49,860 Not inside, Arthur. 286 00:40:53,660 --> 00:40:54,200 Are 287 00:40:54,200 --> 00:41:03,960 you 288 00:41:03,960 --> 00:41:05,260 Arthur? Yes, sir. 289 00:41:10,080 --> 00:41:11,080 Here you go. 290 00:41:11,780 --> 00:41:12,780 All right, sir. 291 00:41:13,540 --> 00:41:14,540 Not inside. 292 00:42:29,420 --> 00:42:32,380 Wish to God I didn't. All right, if he's that anxious to get out of here, let 293 00:42:32,380 --> 00:42:35,360 him doff his fine coat and help us tear down the set. What? 294 00:42:36,340 --> 00:42:37,340 Sorry. 295 00:42:37,440 --> 00:42:40,760 You have a message for her? Give it to me and I'll see it reaches her. 296 00:42:41,460 --> 00:42:48,420 I do not so regard her. Yes, 297 00:42:48,460 --> 00:42:49,259 you do. 298 00:42:49,260 --> 00:42:51,580 And you shall not marry her. 299 00:42:51,860 --> 00:42:56,920 And I say I shall have her. Not in my life you shall not. David! 300 00:43:03,790 --> 00:43:05,770 a comedy, not King Lear. 301 00:43:06,170 --> 00:43:08,650 Let's not bury the playwright before his time. 302 00:43:09,110 --> 00:43:10,110 Excuse me. 303 00:43:12,310 --> 00:43:15,050 I'm terribly sorry to bother you. I wonder if you know where Miss McKenna 304 00:43:15,050 --> 00:43:16,050 be. 305 00:43:18,250 --> 00:43:20,150 Very well, very well. Let us take a decay. 306 00:43:22,170 --> 00:43:23,310 From the beginning. 307 00:43:33,000 --> 00:43:34,000 Take it again. 308 00:43:34,460 --> 00:43:38,160 Why not put her on the scale and sell her by the pound? 309 00:43:39,000 --> 00:43:40,940 Speak to you, please, Mr. McKenna, may I? 310 00:43:41,680 --> 00:43:42,680 May I, please? 311 00:43:44,980 --> 00:43:45,980 Mr. 312 00:43:46,540 --> 00:43:48,020 McKenna, no, no. 313 00:43:48,840 --> 00:43:49,840 Elise, may I? 314 00:44:03,560 --> 00:44:08,380 I'm, um... I'm 315 00:44:08,380 --> 00:44:15,640 looking 316 00:44:15,640 --> 00:44:16,640 for Miss McKenna, please. 317 00:44:17,040 --> 00:44:19,500 Oh, most likely walking by the lake, my dear. 318 00:44:19,860 --> 00:44:20,860 Thank you. 319 00:44:21,940 --> 00:44:23,780 Oh, watch it. I'm sorry. Excuse me. 320 00:46:26,990 --> 00:46:27,990 Is it you? 321 00:46:31,550 --> 00:46:32,550 Is it? 322 00:46:39,310 --> 00:46:40,310 Yes. 323 00:46:42,730 --> 00:46:43,730 Are you all right? 324 00:46:43,990 --> 00:46:45,970 Yes, yes, I'm quite all right. I'm sorry if I startled you. 325 00:46:46,170 --> 00:46:47,410 No, you didn't start. I think I did. 326 00:46:47,970 --> 00:46:49,230 I'll take you into dinner now. 327 00:46:52,390 --> 00:46:53,450 May I speak to you, please? 328 00:47:02,120 --> 00:47:03,120 Anything the matter? 329 00:47:05,820 --> 00:47:07,140 Who was that young man? 330 00:47:08,620 --> 00:47:09,620 I've no idea. 331 00:47:10,660 --> 00:47:11,660 Gave no name? 332 00:47:12,880 --> 00:47:14,140 It was hardly time. 333 00:47:14,760 --> 00:47:16,560 You were conversing, Carol. 334 00:47:17,440 --> 00:47:18,440 No. 335 00:47:22,800 --> 00:47:23,800 Well, not really. 336 00:47:27,140 --> 00:47:28,940 No, no need to look back. He's following us. 337 00:47:32,170 --> 00:47:33,490 Keep on walking. I'll be right along. 338 00:47:44,330 --> 00:47:45,750 Are you a guest here, sir? 339 00:47:46,370 --> 00:47:47,370 Mr. Robbins. 340 00:47:47,750 --> 00:47:48,950 Are you a guest of the hotel? 341 00:47:49,930 --> 00:47:52,010 Uh, yes. Yes, I am. 342 00:47:52,450 --> 00:47:55,290 Then I must ask you to stop annoying Miss McKenna any further. 343 00:47:55,610 --> 00:47:57,950 If you do not, I shall see that you're put out. 344 00:48:08,680 --> 00:48:09,638 What did you say to him? 345 00:48:09,640 --> 00:48:11,680 Oh, what I've always said to men of his sort. 346 00:48:27,440 --> 00:48:29,240 That gown of yours in act two. 347 00:48:30,080 --> 00:48:32,560 Not crazy about it, you know. It'll have to be redone. 348 00:48:33,760 --> 00:48:35,960 I warn Marie that I shall discuss it with her later. 349 00:48:46,259 --> 00:48:49,000 Reservations for four under wood, wood, wood. 350 00:48:49,940 --> 00:48:51,840 What time was the reservation? 351 00:48:52,140 --> 00:48:54,620 8 p .m. p .m. Monsieur, may I help you, please? 352 00:48:54,880 --> 00:48:57,260 I'm dining with Mr. Kenner. Thank you. 353 00:49:02,620 --> 00:49:04,460 I told you, you should have gone to a peep -see. 354 00:49:14,890 --> 00:49:17,190 Oh, Kepsy. Oh, Peepsky. 355 00:49:17,410 --> 00:49:20,050 And I just won't discuss it any further. 356 00:49:41,030 --> 00:49:42,710 Isn't the lines at all? 357 00:49:45,320 --> 00:49:50,680 The neckliner. Isn't he the nincompoop we thought he could handle last season? 358 00:49:51,360 --> 00:49:53,680 Oh, mon cheri, we meet again. 359 00:49:54,060 --> 00:49:55,060 Yes, hello. 360 00:49:55,140 --> 00:49:58,740 I so admire a man not hide -burned by the dictates of vessels. 361 00:49:59,260 --> 00:50:03,300 Yes? That suit. I haven't seen one like it for a decade. 362 00:50:03,840 --> 00:50:05,020 A decade? 363 00:50:05,400 --> 00:50:10,080 Yes. Oh, still looking for Miss McKenna? Yes, in fact, I... Over there. 364 00:50:49,960 --> 00:50:50,960 What do you think you're doing? 365 00:50:52,280 --> 00:50:53,280 Dancing with you. 366 00:50:54,060 --> 00:50:55,340 But we don't even know each other. 367 00:50:56,620 --> 00:50:58,900 I know everything about you. Yes, I'm sure you do. 368 00:50:59,700 --> 00:51:00,700 What do you mean? 369 00:51:01,800 --> 00:51:02,960 No, no, no, you don't understand. 370 00:51:03,240 --> 00:51:04,820 I think I do. No, no, please, please help me. 371 00:51:05,580 --> 00:51:06,580 I have no idea. 372 00:51:07,040 --> 00:51:08,900 I have no idea how far I've come to be with you. 373 00:51:31,150 --> 00:51:32,270 There's no need to be afraid of me. 374 00:51:40,250 --> 00:51:41,470 The man's an intruder. 375 00:51:41,950 --> 00:51:44,790 You kindly see to it that he is escorted from the premises. 376 00:51:47,050 --> 00:51:48,050 If you will, sir. 377 00:52:15,150 --> 00:52:16,150 Don't worry, William. 378 00:52:16,230 --> 00:52:18,010 I shall return momentarily. 379 00:52:33,470 --> 00:52:35,610 Thank you so much. I was so embarrassed. Your name? 380 00:52:37,250 --> 00:52:39,110 Richard Collier. Your place of residence? 381 00:52:39,930 --> 00:52:41,450 Chicago. Your occupation? 382 00:52:42,350 --> 00:52:43,350 I'm a playwright. 383 00:52:44,120 --> 00:52:45,120 A playwright. 384 00:52:46,000 --> 00:52:49,640 Yes, but I'm not here because... And you say that you know everything about me. 385 00:52:49,780 --> 00:52:52,480 Well, yes. Which is patently absurd. You couldn't possibly know everything about 386 00:52:52,480 --> 00:52:54,480 me. We've never met. You're a complete stranger to me. 387 00:52:57,120 --> 00:53:00,000 But then, why did you say, is it you? 388 00:53:02,240 --> 00:53:03,500 I didn't have to answer that. 389 00:53:03,880 --> 00:53:04,880 I know you don't. 390 00:53:05,680 --> 00:53:06,700 I wish you would, though. 391 00:53:14,540 --> 00:53:15,540 What is the matter with him? 392 00:53:18,080 --> 00:53:19,680 Looking out for me, it isn't worth it. 393 00:53:20,400 --> 00:53:21,740 Well, why is that? Do I look to him? 394 00:54:01,520 --> 00:54:03,020 And have it ready by tomorrow morning. 395 00:54:03,260 --> 00:54:04,260 I'll do my best. 396 00:54:11,300 --> 00:54:12,300 Smiling, McKenna? 397 00:54:13,940 --> 00:54:14,940 Seems appropriate. 398 00:54:16,940 --> 00:54:19,620 You're a rather handsome young man, if you're married. 399 00:54:20,740 --> 00:54:21,820 I'll keep an eye on him. 400 00:54:22,220 --> 00:54:23,220 I'm sure you will. 401 00:54:28,260 --> 00:54:29,320 Is he the one, William? 402 00:54:41,770 --> 00:54:45,090 performance. Remember, stay ahead of them. 403 00:54:45,470 --> 00:54:46,790 Keep the mystery. 404 00:54:47,290 --> 00:54:48,310 Always a mystery. 405 00:54:49,430 --> 00:54:50,670 Excess within control. 406 00:54:57,730 --> 00:54:59,010 Sleep well, McKenna. 407 00:56:06,130 --> 00:56:07,130 Richard Collier. 408 00:56:12,670 --> 00:56:16,490 Good morning. 409 00:56:18,530 --> 00:56:20,850 Um... You sleep all right? 410 00:56:22,030 --> 00:56:23,330 Wonderfully. Oh, I'm sorry. 411 00:56:24,210 --> 00:56:25,450 I didn't sleep too well either. 412 00:56:26,310 --> 00:56:29,990 But I was on a porch chair, so... Don't you even have a room? 413 00:56:30,490 --> 00:56:31,790 Yes, I will, at 918. 414 00:56:32,230 --> 00:56:33,230 Room 416. 415 00:56:35,820 --> 00:56:38,420 I mean, would you like to go to breakfast? 416 00:56:39,620 --> 00:56:40,620 It's 6 a .m. 417 00:56:41,000 --> 00:56:42,340 Oh, well, later? 418 00:56:43,180 --> 00:56:45,140 I don't eat breakfast on performance days. 419 00:56:45,340 --> 00:56:46,340 Oh, no, of course not. 420 00:56:47,020 --> 00:56:49,660 Lunch? Mr. Collier. No, no, no, it's not Mr. 421 00:56:49,880 --> 00:56:53,640 Collier. Isn't that your name? Well, yes, that's my name, but I've... Marie, 422 00:56:54,220 --> 00:56:55,840 she's sleeping in the other room. Marie? 423 00:56:56,780 --> 00:56:57,658 My maid. 424 00:56:57,660 --> 00:56:59,120 Oh, I'm sorry. 425 00:56:59,740 --> 00:57:04,400 Of course, my name is Mr. Collier, but I was hoping maybe you'd call me by my 426 00:57:04,400 --> 00:57:05,400 first name. 427 00:57:08,910 --> 00:57:09,910 Just hoped you would. 428 00:57:12,310 --> 00:57:13,310 When can I see you today? 429 00:57:13,810 --> 00:57:19,770 I shall be rehearsing all day. All day? You can't... Will you walk with me? Can 430 00:57:19,770 --> 00:57:20,770 you do that much? 431 00:57:21,170 --> 00:57:22,170 I can't. 432 00:57:23,690 --> 00:57:25,630 Young woman, if you do not walk with me, I shall go mad. 433 00:57:25,870 --> 00:57:27,490 I'll still be insane and do crazy things to myself. 434 00:57:33,990 --> 00:57:34,990 Walk with me. 435 00:57:41,859 --> 00:57:43,520 Say, Richard, that's me. 436 00:57:43,980 --> 00:57:46,980 Thank you. I would love to walk with you and talk with you and get to know you 437 00:57:46,980 --> 00:57:50,080 and not be afraid of you and resolve everything. Say yes. 438 00:57:56,740 --> 00:57:57,740 Yes. 439 00:57:59,040 --> 00:58:00,040 One o 'clock. 440 00:58:00,820 --> 00:58:02,000 Outside the hotel. 441 00:58:37,900 --> 00:58:40,200 to understand that you're a playwright. 442 00:58:40,540 --> 00:58:41,540 You understand correctly. 443 00:58:42,700 --> 00:58:47,080 No doubt you dream of seeing Miss McKenna in one of your opera. 444 00:58:48,480 --> 00:58:51,360 That's plural for opus. I presume you've written more than one. 445 00:58:51,980 --> 00:58:53,180 And seen them produced. 446 00:58:53,660 --> 00:58:54,660 Really? 447 00:58:55,120 --> 00:58:59,160 Not entirely unacquainted with the achievements of the American stage in 448 00:58:59,160 --> 00:59:00,160 past decade. 449 00:59:01,440 --> 00:59:02,500 Perhaps I've seen one. 450 00:59:03,000 --> 00:59:04,000 No, I doubt it. 451 00:59:04,680 --> 00:59:08,040 I also doubt very much that I shall ever see one graced by Miss McKenna. 452 00:59:09,820 --> 00:59:11,800 You don't really believe that's why I'm here, do you? 453 00:59:14,920 --> 00:59:15,980 Why are you here? 454 00:59:17,120 --> 00:59:18,120 Is it money? 455 00:59:19,540 --> 00:59:21,060 I don't think you really believe that either. 456 00:59:21,640 --> 00:59:23,260 There is a law, Collier. 457 00:59:25,260 --> 00:59:27,380 I warn you, I will not hesitate to make avail of it. 458 00:59:27,640 --> 00:59:28,640 Oh, yes? On what charge? 459 00:59:29,960 --> 00:59:31,480 The matter's concluded, sir. 460 00:59:31,940 --> 00:59:33,900 No. Oh, yes. You may depend on it. 461 00:59:40,970 --> 00:59:41,970 Good morning, sir. Good morning. 462 00:59:42,390 --> 00:59:43,390 Excuse me. 463 00:59:43,810 --> 00:59:44,810 Arthur. 464 00:59:48,690 --> 00:59:49,710 Forgive me again, sir. 465 00:59:53,830 --> 00:59:56,090 I'm very sorry, sir. That's quite all right. 466 00:59:57,010 --> 00:59:58,010 I'd like a room, please. 467 00:59:58,610 --> 01:00:00,250 Oh, don't you have one? 468 01:00:01,190 --> 01:00:05,350 Well, I was rather ill when I arrived last night, so I stayed with a friend. 469 01:00:05,610 --> 01:00:06,610 Ah, I see. 470 01:00:07,710 --> 01:00:09,170 You do have a room, sir? 471 01:00:19,660 --> 01:00:20,660 Three dollars a day. 472 01:00:20,700 --> 01:00:22,040 Bathroom privileges extra. 473 01:00:23,080 --> 01:00:24,780 Would you care to sign the register now, sir? 474 01:00:28,420 --> 01:00:34,200 Um, excuse me. I'm sorry. Are you sure this is the right room? The right room, 475 01:00:34,260 --> 01:00:35,360 sir? I don't understand. 476 01:00:35,720 --> 01:00:38,040 Oh, I'm sorry, Mr. Bills. That room is reserved. 477 01:00:38,360 --> 01:00:39,680 We've got to put a notice in the slot. 478 01:00:40,260 --> 01:00:41,260 I'm very sorry. 479 01:00:51,760 --> 01:00:53,000 Shall I sign? Would you please? 480 01:00:57,000 --> 01:00:57,440 Excuse 481 01:00:57,440 --> 01:01:05,660 me. 482 01:01:06,680 --> 01:01:08,480 Let me just finish that for you. 483 01:01:12,560 --> 01:01:13,560 918. 484 01:01:14,180 --> 01:01:16,080 Thank you, sir. 485 01:01:21,320 --> 01:01:22,098 I beg your pardon? 486 01:01:22,100 --> 01:01:23,140 Oh, nothing. 487 01:01:25,940 --> 01:01:28,740 Which room is your luggage in, sir? 488 01:01:30,040 --> 01:01:33,020 Um, it's no problem. I can get it later myself. 489 01:01:57,840 --> 01:01:58,840 See you around Arthur. 490 01:02:32,680 --> 01:02:34,180 No. What did you do to your face? 491 01:02:34,560 --> 01:02:36,600 Shaved. The new blade wasn't quite sharp enough. 492 01:02:37,140 --> 01:02:39,400 I didn't think what you'd look like with a blade really sharp. 493 01:02:41,160 --> 01:02:42,160 Oh, no. 494 01:02:42,500 --> 01:02:43,500 I don't believe it. 495 01:02:44,320 --> 01:02:45,860 I've got to give him credit. He's like a bulldog. 496 01:02:47,140 --> 01:02:49,500 Would you like me to speak to him? It wouldn't do a bit of good. 497 01:02:51,180 --> 01:02:52,360 I think I know what would... 498 01:04:24,460 --> 01:04:25,460 To call you. 499 01:04:25,960 --> 01:04:28,100 It isn't easy being a successful actress. 500 01:04:29,160 --> 01:04:33,840 Over the years, I... I found it necessary to protect myself. 501 01:04:36,920 --> 01:04:43,500 So understand, please understand... that I'm even with you today when... 502 01:04:43,500 --> 01:04:50,400 when you and I met last night. Why did you say, is it 503 01:04:50,400 --> 01:04:51,400 you? 504 01:05:09,290 --> 01:05:10,269 I think you'll laugh. 505 01:05:10,270 --> 01:05:11,270 Why, is it funny? 506 01:05:12,150 --> 01:05:13,150 In a way. 507 01:05:15,350 --> 01:05:16,610 Williams told me you were coming. 508 01:05:17,830 --> 01:05:19,350 Robinson? Yes. 509 01:05:22,350 --> 01:05:23,350 He knows somehow. 510 01:05:25,110 --> 01:05:26,110 He really does. 511 01:05:28,390 --> 01:05:30,130 He knew a lot of things before they happened. 512 01:05:38,800 --> 01:05:43,240 He told me that one day I would meet a man and 513 01:05:43,240 --> 01:05:47,240 change my life. 514 01:05:48,440 --> 01:05:50,900 Did he tell you that man would be someone to be afraid of? 515 01:05:53,440 --> 01:05:54,440 Yes. 516 01:05:56,000 --> 01:06:00,300 And what do you think now? Do you believe that? 517 01:06:27,780 --> 01:06:32,480 I saw him with the Philharmonic once. 518 01:06:33,140 --> 01:06:35,380 I love his music, but I've never heard this piece. 519 01:06:36,380 --> 01:06:37,380 Really? 520 01:06:37,900 --> 01:06:39,540 Well, I'll introduce you to it sometime. 521 01:07:00,170 --> 01:07:02,150 Sorry we had the carrot so long. Thank you. 522 01:07:05,350 --> 01:07:06,350 Check out his face. 523 01:07:06,630 --> 01:07:08,030 We're going to hang it for horse napping. 524 01:07:16,750 --> 01:07:17,750 Stick out your tongue. 525 01:07:18,610 --> 01:07:19,610 Huh? 526 01:07:36,430 --> 01:07:38,270 The most peculiar moment in my life, Mr. Collier. 527 01:07:39,030 --> 01:07:40,590 I think you'll survive it, Miss McKenna. 528 01:07:44,830 --> 01:07:45,830 What time is it now? 529 01:07:49,330 --> 01:07:52,310 Um... 4 .30. 530 01:07:53,170 --> 01:07:55,230 I must be getting back. 531 01:07:55,550 --> 01:07:58,430 You have to. Can't you stay a little longer? No, I have to rest a while. 532 01:08:28,270 --> 01:08:29,270 When's the company leave? 533 01:08:31,270 --> 01:08:32,270 Tonight. 534 01:08:37,069 --> 01:08:38,069 Where are you going? 535 01:08:39,330 --> 01:08:40,330 Denver. 536 01:08:43,810 --> 01:08:44,810 Well, 537 01:08:48,149 --> 01:08:49,390 thank you for this pleasant afternoon. 538 01:08:52,990 --> 01:08:54,390 Could we talk just a little longer? 539 01:08:55,529 --> 01:08:57,290 I really should rest a while. Please. 540 01:09:30,400 --> 01:09:31,580 What did you want to talk about? 541 01:10:40,860 --> 01:10:41,860 McKenna? 542 01:10:46,040 --> 01:10:47,040 McKenna? 543 01:10:48,180 --> 01:10:49,180 Come in. 544 01:10:54,660 --> 01:10:55,680 I think you'd better go. 545 01:10:55,940 --> 01:10:59,000 Have you been waiting all this time for our return? This is hardly the time for 546 01:10:59,000 --> 01:11:00,000 discussion, McKenna. Have you? 547 01:11:00,100 --> 01:11:03,420 Yes. Does that surprise you? Our relationship is strictly business. 548 01:11:04,020 --> 01:11:06,920 Strictly business? I'm involved with you as an actress, Mr. Robertson. 549 01:11:07,560 --> 01:11:09,960 Not a doormat. Do not attempt to wipe your boots on me. 550 01:11:21,230 --> 01:11:22,230 Leave a ticket for you at the theatre door. 551 01:11:31,770 --> 01:11:33,390 Excess within control, McKenna? 552 01:11:36,730 --> 01:11:37,730 What? 553 01:12:20,680 --> 01:12:21,680 Good evening, Miss. 554 01:12:21,980 --> 01:12:23,120 Not good at all. 555 01:12:24,640 --> 01:12:25,640 Particularly bad. 556 01:12:27,320 --> 01:12:28,740 I'll not go downstairs again. 557 01:12:28,980 --> 01:12:30,280 Oh, what is it, Miss? 558 01:12:31,740 --> 01:12:35,440 I've just been dining with a man my father has determined that I wed. 559 01:12:35,800 --> 01:12:37,260 Oh, Banker Harwell. 560 01:12:37,580 --> 01:12:38,740 Banker Harwell, yes. 561 01:12:39,320 --> 01:12:43,740 All 67 years and 5 foot 4 of height and several hundred pounds of him. 562 01:12:45,280 --> 01:12:47,260 He does have money, though, Miss. 563 01:12:47,500 --> 01:12:49,300 And never lets the soul forget it. 564 01:12:51,080 --> 01:12:52,940 means he has the least desire to marry. 565 01:12:53,460 --> 01:12:55,460 He's so happily wedded to his gold. 566 01:12:57,040 --> 01:12:59,240 Well, perhaps it won't be all that bad, miss. 567 01:12:59,480 --> 01:13:02,140 There must be something you like about him. 568 01:13:02,840 --> 01:13:04,840 Yes, his absenteeism. 569 01:13:11,840 --> 01:13:14,660 The man of my dreams has almost faded now. 570 01:13:24,010 --> 01:13:25,370 And what man is that, miss? 571 01:13:26,770 --> 01:13:29,030 The one I have created in my mind. 572 01:13:32,710 --> 01:13:39,630 The sort of man each woman dreams of in the deepest and most secret reaches of 573 01:13:39,630 --> 01:13:40,630 her heart. 574 01:13:46,410 --> 01:13:48,310 I can almost see him now before me. 575 01:13:52,170 --> 01:13:53,590 What would I say to him? 576 01:13:56,080 --> 01:14:00,100 If you were really here, forgive me. 577 01:14:03,180 --> 01:14:04,620 I've never known this feeling. 578 01:14:07,280 --> 01:14:08,960 I've lived without it all my life. 579 01:14:12,100 --> 01:14:14,960 Is it any wonder then I failed to recognize you? 580 01:14:16,340 --> 01:14:20,200 You brought it to me for the first time. 581 01:14:22,260 --> 01:14:23,820 Is there any way that... 582 01:14:25,800 --> 01:14:27,440 I can tell you how my life has changed. 583 01:14:29,780 --> 01:14:33,620 Anywhere at all to let you know what sweetness you have given me. 584 01:14:35,640 --> 01:14:37,380 There is so much to say. 585 01:14:41,280 --> 01:14:43,100 I cannot find the words. 586 01:14:44,920 --> 01:14:45,920 Except for these. 587 01:14:49,640 --> 01:14:50,640 I love you. 588 01:14:56,620 --> 01:15:00,480 And such would I say to him if he were really here. 589 01:15:41,040 --> 01:15:42,680 In God's name, what are you doing? 590 01:15:43,860 --> 01:15:46,960 Nothing. Nothing? Rewrite the entire verse. See? 591 01:15:47,180 --> 01:15:50,640 Can you hold a moment? We've just got to take that photograph. 592 01:15:51,860 --> 01:15:52,860 Very well. 593 01:15:53,040 --> 01:15:54,600 Just a moment. I have to change. 594 01:15:55,860 --> 01:15:56,860 Quickly! 595 01:16:03,340 --> 01:16:04,860 And a little flourish. 596 01:16:05,640 --> 01:16:08,200 Yes, yes. It's very pretty. Very pretty. Just a moment. 597 01:16:09,570 --> 01:16:13,470 I'm just trying to focus on that lovely... Oh, yes, yes, yes. 598 01:16:13,750 --> 01:16:15,030 I'm just going to put in the plate. 599 01:16:15,550 --> 01:16:16,550 One moment. 600 01:16:16,770 --> 01:16:17,770 There we go. 601 01:16:19,690 --> 01:16:20,850 A little smile, please. 602 01:16:21,750 --> 01:16:22,810 No, not quite. 603 01:16:23,230 --> 01:16:25,310 Perhaps you could think of something happier, brighter. 604 01:16:26,770 --> 01:16:28,130 Yes, that's it. That's it. 605 01:16:29,150 --> 01:16:30,150 Perfect. 606 01:16:34,110 --> 01:16:35,110 Absolutely. 607 01:17:15,880 --> 01:17:17,820 I think an old farm does it best. 608 01:17:26,600 --> 01:17:30,880 Do you have any notion how many years I have been with Miss McKenna? 609 01:17:33,560 --> 01:17:35,660 Since March of 1903. 610 01:17:40,840 --> 01:17:41,840 March. 611 01:17:42,700 --> 01:17:43,700 1903. 612 01:17:46,320 --> 01:17:48,060 She was 16 at the time. 613 01:17:49,780 --> 01:17:56,360 There she was, on that dingy stage, in that pathetic plague. 614 01:17:57,720 --> 01:17:59,360 Total radiance. 615 01:18:01,620 --> 01:18:06,100 It only took seconds for me to realize exactly what she had to be. 616 01:18:07,360 --> 01:18:08,580 Mrs. Robinson? 617 01:18:09,720 --> 01:18:14,640 Do you actually believe that I have nurtured her? 618 01:18:15,690 --> 01:18:21,510 for her, molded, taught, developed her for all these years merely to groom a 619 01:18:21,510 --> 01:18:22,510 wife? 620 01:18:23,750 --> 01:18:24,750 What then? 621 01:18:25,870 --> 01:18:26,870 A star. 622 01:18:30,790 --> 01:18:36,050 Only someone with a limited awareness of your age could possibly conceive that 623 01:18:36,050 --> 01:18:38,630 my entire passion for this woman is no more than physical. 624 01:18:40,230 --> 01:18:45,050 Are you incapable of understanding that she... has it within herself to be one 625 01:18:45,050 --> 01:18:49,930 of the greatest, if not the greatest actress of her generation? 626 01:18:59,650 --> 01:19:00,910 I owe you an apology. 627 01:19:01,510 --> 01:19:05,070 I understand you now. 628 01:19:06,190 --> 01:19:09,450 You have nothing but the best motives in mind for her. 629 01:19:10,050 --> 01:19:11,390 But so do I. 630 01:19:12,430 --> 01:19:13,870 Of course, she'll continue to act. 631 01:19:14,170 --> 01:19:15,530 She will continue to grow. 632 01:19:16,390 --> 01:19:19,490 And she will become everything you want her to be. 633 01:19:21,530 --> 01:19:22,870 With you at her side? 634 01:19:23,090 --> 01:19:24,090 Yes. 635 01:19:24,270 --> 01:19:25,470 With me at her side. 636 01:19:27,130 --> 01:19:28,990 Never. My God. 637 01:19:30,450 --> 01:19:32,630 You really think you own her, don't you? 638 01:19:34,170 --> 01:19:36,690 Collier, I know who you are. 639 01:19:39,750 --> 01:19:40,790 Ever since... 640 01:19:41,280 --> 01:19:43,120 You came here, I've known from the start. 641 01:19:45,220 --> 01:19:47,860 You came to destroy her. God, you're out of your mind. 642 01:20:02,740 --> 01:20:03,619 No more. 643 01:20:03,620 --> 01:20:04,539 No more? 644 01:20:04,540 --> 01:20:07,000 What do you see, damn it? 645 01:20:08,280 --> 01:20:09,280 No, 646 01:20:09,700 --> 01:20:10,700 Miss McKenna. 647 01:20:10,840 --> 01:20:12,020 Did she try his rope? He wasn't there. 648 01:20:13,160 --> 01:20:18,120 What did they say at the desk? He had not been in. 649 01:20:18,360 --> 01:20:19,380 He left no message? 650 01:20:19,620 --> 01:20:20,620 No, I'm sorry. 651 01:20:21,220 --> 01:20:22,700 This makes no sense at all. 652 01:20:24,360 --> 01:20:25,660 What could have happened to him? 653 01:20:28,480 --> 01:20:29,480 Marie. 654 01:20:30,060 --> 01:20:31,060 Marie. 655 01:20:31,340 --> 01:20:32,500 Let me change quickly. 656 01:21:00,560 --> 01:21:06,600 performance in act one I I must say was somewhat eccentric where is he 657 01:21:06,600 --> 01:21:12,440 what have you done to him I've done nothing McKenna mr. Collier has left 658 01:21:12,440 --> 01:21:18,600 that's all what do you mean gone from the hotel 659 01:21:18,600 --> 01:21:24,640 and your life I don't believe you I 660 01:21:24,640 --> 01:21:27,020 must admit 661 01:21:29,070 --> 01:21:32,970 He was somewhat more charming than others that we've encountered in the 662 01:21:34,210 --> 01:21:35,210 You and I. 663 01:21:36,430 --> 01:21:38,550 A trifle more sincere, perhaps. 664 01:21:38,910 --> 01:21:40,810 Still... Then he was not the one you spoke of. 665 01:21:42,710 --> 01:21:44,530 No. Then you were wrong about him, weren't you? 666 01:22:09,040 --> 01:22:09,898 Can that make now? 667 01:22:09,900 --> 01:22:10,900 He's gone. 668 01:22:11,540 --> 01:22:12,680 I'll find him, William. 669 01:22:15,420 --> 01:22:17,060 Don't you dare try to stop me. 670 01:22:22,660 --> 01:22:24,380 Now, if you would excuse me while I change. 671 01:22:49,000 --> 01:22:52,560 May I remind you that we leave within the hour. 672 01:25:07,980 --> 01:25:09,420 The company, are they gone? 673 01:25:09,720 --> 01:25:12,540 Company? Damn it, the ones that did the play last night, where are they? Are 674 01:25:12,540 --> 01:25:13,059 they gone? 675 01:25:13,060 --> 01:25:14,680 They left as soon as they were packed, sir. 676 01:27:06,000 --> 01:27:07,000 You alright? 677 01:27:07,620 --> 01:27:09,920 I thought I lost you. Oh, never. 678 01:27:10,540 --> 01:27:11,720 Never, never, never. 679 01:29:04,940 --> 01:29:06,240 You will marry me, won't you? 680 01:29:09,900 --> 01:29:10,900 You won't? 681 01:29:11,320 --> 01:29:12,320 Sure. 682 01:29:14,300 --> 01:29:19,120 I was just laughing at the way you asked. For one moment there. What? I 683 01:29:19,120 --> 01:29:21,280 you had a wife and children back home somewhere. 684 01:29:22,760 --> 01:29:23,760 Oh, Lisa. 685 01:29:24,840 --> 01:29:26,360 I want to be everything to you. 686 01:29:26,940 --> 01:29:27,940 You are. 687 01:29:34,510 --> 01:29:35,810 Tell me more about yourself, my love. 688 01:29:36,030 --> 01:29:37,910 Well, I was going to... What sort of plays do you write? 689 01:29:38,170 --> 01:29:39,790 Are there any parts in it for me? 690 01:29:40,090 --> 01:29:42,210 I could... Oh, I would love to act in one of your plays. 691 01:29:43,290 --> 01:29:45,370 Assuming that I ever want to act again after tonight. 692 01:29:46,470 --> 01:29:47,470 You will. 693 01:29:47,930 --> 01:29:48,930 Oh, Richard. 694 01:29:57,530 --> 01:29:58,530 Good plays. 695 01:29:58,650 --> 01:30:00,290 What? All right, good plays. 696 01:30:02,510 --> 01:30:04,230 Never let you answer, did I? No. Sorry. 697 01:30:09,530 --> 01:30:10,730 What time do you think it is? 698 01:30:10,990 --> 01:30:11,990 I don't know. 699 01:30:12,090 --> 01:30:13,090 I don't care. 700 01:30:13,770 --> 01:30:14,770 I love you. 701 01:30:16,090 --> 01:30:17,090 I don't look. 702 01:30:21,470 --> 01:30:22,470 It's five o 'clock. 703 01:30:22,630 --> 01:30:24,530 Really? I don't feel sleepy somehow, do you? 704 01:30:25,030 --> 01:30:26,030 No. 705 01:30:29,680 --> 01:30:31,200 Is that a thing I intend to do for you? 706 01:30:31,480 --> 01:30:32,480 You've already done. 707 01:30:33,920 --> 01:30:35,340 Well, the second thing, then. What? 708 01:30:36,260 --> 01:30:37,260 Buy you a new suit. 709 01:30:38,980 --> 01:30:39,980 I don't understand. 710 01:30:40,260 --> 01:30:41,380 Nobody seems to like my suit. 711 01:30:41,800 --> 01:30:43,160 Oh, can you blame them? Wait a minute. 712 01:30:43,540 --> 01:30:44,680 I think my suit is terrific. 713 01:30:45,160 --> 01:30:47,620 I mean, what's wrong with it? I don't care. So what if it's 10 years old? Or 714 01:30:47,620 --> 01:30:48,620 least 15. 715 01:30:49,140 --> 01:30:50,140 15? Mm -hmm. 716 01:30:50,200 --> 01:30:51,820 Well, I think it's fabulous. 717 01:30:52,180 --> 01:30:53,180 Look, let me show you. 718 01:30:53,580 --> 01:30:57,280 It's really great. See, the first -class condition, the fleece fit, it's a 719 01:30:57,280 --> 01:30:59,140 pretty good thing because my arms are about nine feet long. 720 01:31:00,070 --> 01:31:01,550 And we've got pockets everywhere. 721 01:31:01,810 --> 01:31:03,050 I could pull rabbits out of here. 722 01:31:03,570 --> 01:31:05,830 Oh, yeah, this is the best part. This is a special coin compartment for 723 01:31:05,830 --> 01:31:06,830 emergencies. 724 01:31:10,950 --> 01:31:11,950 Richard. 725 01:31:12,870 --> 01:31:13,870 Oh, 726 01:31:14,610 --> 01:31:15,610 Richard. 727 01:32:15,080 --> 01:32:16,080 Whew. 728 01:32:52,810 --> 01:32:58,110 June 29, 1912. June 29, 1912. God, please. 729 01:33:00,090 --> 01:33:03,170 June 29. I'm back. I'm back. 730 01:33:31,400 --> 01:33:32,800 No. 731 01:37:14,960 --> 01:37:15,960 Mr. Collier? 732 01:37:18,440 --> 01:37:19,720 Are you sure he's in there? 733 01:37:20,080 --> 01:37:22,120 Well, the maid says he's been in there for days. 734 01:37:24,220 --> 01:37:25,460 Are you all right, sir? 735 01:37:26,320 --> 01:37:27,320 Use the pass. 736 01:37:30,500 --> 01:37:31,500 Mr. Collier? 737 01:37:34,380 --> 01:37:35,580 Oh, my God. 738 01:37:36,400 --> 01:37:37,780 Let's get him on the bed. Easy. 739 01:37:38,760 --> 01:37:39,719 Careful, careful. 740 01:37:39,720 --> 01:37:40,720 I got it. 741 01:37:41,920 --> 01:37:42,920 Better take his legs. 742 01:37:43,040 --> 01:37:44,040 All right. 743 01:37:59,300 --> 01:38:02,420 Operator, get Dr. Hull up to suite 313 right away. 744 01:38:06,380 --> 01:38:08,980 Looks like he hasn't eaten in a week. You better send for an ambulance. 745 01:38:09,200 --> 01:38:10,700 I'll call one right now. What a shame. 746 01:38:11,240 --> 01:38:12,280 If I'd only known. 747 01:38:13,160 --> 01:38:16,200 Operator, get an ambulance. He is going to make it, isn't he? I don't know. 748 01:38:16,640 --> 01:38:17,640 They're on their way. 749 01:38:17,700 --> 01:38:18,539 How is he? 750 01:38:18,540 --> 01:38:19,540 We're going to need some oxygen. 751 01:38:19,860 --> 01:38:21,500 We've got some downstairs. I'll get it right now. 752 01:38:22,520 --> 01:38:23,740 Keep him warm with this blanket. 753 01:38:27,630 --> 01:38:28,630 A fine man. 754 01:38:29,230 --> 01:38:30,250 What a shame. 755 01:38:34,050 --> 01:38:35,270 I wonder what happened. 756 01:38:36,110 --> 01:38:38,050 We've got to keep them going until they get here.